Ubuntu just announced their new release, 17.10 and it is using Gnome as it’s default Desktop Manager. This is a big change since Ubuntu has been using Unity as its default DE for many years now.
This will come as a welcome change to a lot of people since Unity really wasn’t getting much love from the masses. I personally never hated Unity, I just don’t use it. But I don’t use Gnome either. I use IceWM. I’m still waiting for my “Icebuntu” release, haha.
Anyway, I’m curious if any of my readers have tried it yet, and if so what are your thoughts?
Making money with original music is very hard these days. Nobody really buys CDs anymore. Certain niches still buy vinyl, but it’s very expensive to press. The vast majority of people listen to music with streaming services like Spotify, Google Music, Apple Music, etc…
So how do you get your music on those? Well with Google you can actually do it directly through them with their Google Artist Hub, but all of the others you need to go though some type of middle man service that has a deal with these digital distributors. There’s several out there, but most of them charge pretty hefty fees for getting your music on streaming services. CD Baby charges around $50 per album, others charge you a yearly fee for every LP you have on these services!! Then some of them even take a cut of your streaming royalties too!
There’s a better option in my opinion. The company I use, Routenote, Charges you NOTHING up front to get your music on ALL OF THE STREAMING SERVICES, this includes Spotify, Apple, Google, Napster, and about a scrillion others you probably didn’t even know existed. So how do they make money? Well, they charge you on the back end. In short you keep 85% of your profits. Streaming royalties are so minuscule anyway, to me this doesn’t really matter. I release a lot of albums, and I can get them on all of the major outlets within weeks of completing them.
I’ve been using Routenote for years, and have been paid from them, so I can personally vouch for their integrity. Why spend $40 to stream an album that makes .0001 per stream? It just doesn’t make senses. Anyway, hopefully you found this helpful and happy music making!
Choosing the right studio monitors can be a daunting task. With the popularity of home recording, there’s thousands of monitors out there to choose from. Also, some of us have home studios that are smaller than average and live in small apartments. How do you select the best ones for an environment like this? First I’m going to explain a couple of things you should consider before making your choice.
Q: Can’t I just mix with headphones?
A: Generally you do not want to mix with headphones alone. Headphones are rarely neutral sounding and tend to color the sound greatly. This will end up causing your mixes to sound good in your headphones, but then weird everywhere else. It’s okay to use a pair of headphone as a second reference source, but you should definitely have a good set of ‘flat response’ monitors to make your primary reference.
Q: What does ‘flat response’ mean?
A: Flat response has to do with what I was talking about in the headphones answer. ‘Flat’ in this context means, neutral, uncolored, as in no extra bass frequencies, or any enhanced frequencies at all. Many headphones and commercial home stereo speakers have a TON of added bass frequencies these days. If you mix with something like this, your mix will end up sounding thin. This is because you were mixing to compensate for the extra bass in the speakers.
Q: Are all studio monitors ‘flat’?
A: Not really. Some are quite colored as well. But this is usually the ones that are geared more towards the novice and doubling as gaming or computer speakers. You will want to make sure to get some that have a good reputation.
Q: Why does it matter how big my apartment is?
A: Room acoustics have a lot to do with how good your mixes end up sounding. If you have a very small apartment, you don’t want to buy something too big for the room. Not only because of acoustics, but also because of space and being considerate to your neighbors. You want to have the correct power and size for your room. For a small bedroom, I recommend woofer sizes from 5″ to 6.5″, if you have a slightly larger room, then 8″ may be appropriate.
Another thing to know is that some studio monitors are not sold in pairs. They come separately, so this should be considered when pricing your monitors. Unless they actually say “pair” then you should assume the price is for a single monitor. In addition to that, you should also understand the difference between “passive” and “active” monitors. Passive means they’re not powered, and active means they are powered. The difference here is that with passive monitors you will need a poweramp to use them. I will only be recommending active monitors in this post.
So here’s the list:
Tascam 2 “Pack ” VL-S5 5″ 2-Way Professional Studio Monitor, 60Hz-22kHz Frequency Response, 1″ Tweeter, 20kOhm Balanced/10kOhm Unbalanced Input Impedance, Single
Best for a tight budget in a small room is the Tascam VL-S5 5.25″ studio monitors. These come in a pair and are perfect for a very small apartment. They have balanced XLR inputs, silk tweeters, and 5.25″ Kevlar woofers. The frequency response goes from 60hz to 22khz. They are 40 watt woofers which is good power for a small room. Tascam has a long history in home recording and these high rated monitors are a great deal for the money. They’re only about $190 for the pair.
Yamaha HS5 Powered Studio Monitor Bundle with Two Monitors and Cables
Best quality for small apartment goes to the Yamaha HS5s Studio Monitors.Similar in size to the Tascams, but the HS5s have a much better frequency response at 54hz to 30khz. They are also powered and this bundle also comes in a pair. They have 5″ woofers that are 45 watts. They have balanced 1/4 inputs as well as XLR. Yamaha’s reputation for studio monitors is nothing short of excellent. They have a reputation for being one of the flattest response monitors on the market. These run for about $400 for the pair.
Rockville DPM6C 6.5″ 2-Way 210W Wood Active/Powered Studio Monitor Speaker
Best for budget in a medium sized bedroom studio goes to the Rockville DPM6. This monitor is sold individually, so you will need to purchase two. They’re about $95 each. They feature 70 watt woofers, come in black, white and wood colors (pictured above), frequency response is 50hz to 20khz. They have 6.5″ woofers but are still small enough for a bedroom/apartment studio. In addition to balanced XLR and 1/4″ inputs, they also have unbalanced RCA inputs, as well as adjustable high and low boost and cut knobs on the back for room compensation.
Yamaha HS8 Powered Studio Monitors Pair White w/ Strukture PRO20M7 XLR Cables 20 feet – Bundle
Best quality for medium sized room goes to the Yamaha HS8s. These are amazing monitors for a medium sized apartment/bedroom studio. Like the HS5 above, Yamaha quality is next to none. They have amazingly flat response, and look super stylish in the all white model. The frequency response is incredible at 38hz to 30khz! They have 75 Watt 8″ Woofers and 1″ tweeters. You can get the pair for $700.
Pad controllers are a lot of fun to play and use for making music. They’re great for live performance, or for composing drums at home and not disturbing the neighbors or taking up space. I have one just like the one pictured above (MPD24) that I used to make many performance videos on YouTube.
If you’re on Windows or Mac, a lot of people just use Ableton Live for pad controllers. But what if you’re using Linux? What kind of options do you have for fingerdrumming? I thought I’d put together a list of a few programs I know work well with Pad Controllers.
Swami is great for pad controllers because you can create very complex sample sets then save them to .sf2 files. Then you just open them up with qsynth/fluidsynth and you have an awesome standalone sample player that is fully customizable with your particular pad controller.
Drumkv1 is probably my favorite option for pad controllers on Linux right now. All you need to do is drag and drop any sample into whatever slot you want to have on your controller. This makes it easy for mapping, as well as easily apply fx, filters, and LFOs to any sample. No external editor needed! Then you can save your kits and use them any time!
If you are a music producer using Linux, you might be thinking you can’t use services like Loopmasters to get loops and samples for your projects. However, this is not the case! There’s plenty of commercial loops, midi files, one hits, and plenty of sounds that you can use in your music!
So how do you know what to get? Well if you look in the details of the sound packs, you’ll want to look for ones that contain mostly audio loops, midi, and one hits. These can all be used in Qtractor to create music. Qtractor has time stretching ability, and full featured fx processing that when combined with a great loop and sample set, you could have a very strong music production environment.