While searching for some Kawai K1 soundfonts (since I no longer own my K1) I stumbled across this super-cool album on Archive.org of spacey synth jams made entirely with K1 sounds. I still haven’t located a free K1 soundfont, but this album gives me something fun to listen to in the meantime.
“Obxd is emulation of famous ob-x, ob-xa and ob8 synths.
While not copying originals , some of the features were taken to a better point.
Continuous blendable multimode filter (hp-notch(bp)-hp in 12 db mode and 4-1 pole in 24 db mode).
VAM button is last played note allocation mode.
32 and 64 bit versions included.”
I love how much innovation smaller musical instrument companies have these days. This is just one of the coolest things I’ve seen in a while!
“The OM-1 Cassette Synthesizer is an analog musical instrument built around the concept that when a continuous tone/note is recorded to tape, its pitch will change as the tape’s playback speed is increased or decreased. Individual notes are playable via the 8 buttons (keys), each with a tuning knob directly above it. The volume of the notes can be articulated by using the pressure sensitive volume control – the harder its pressed, the louder the note. A three position switch controls attack/release response of the audio output – Short, Medium, and Long. CV/Gate inputs allow control over the cassette’s pitch and volume from a linear (non-quantized) voltage sequencer.”
I’ve been a Behringer fan since they first started, and one of the reasons was their knack for making cool gear at a lower price point than most other companies. I was a little surprised to see this news though. Details are still mostly hidden, but Behringer has decided to get into the Synthesizer game and is releasing their own poly-synth.
I still don’t know the model name, price, or when it will be released, but judging from this video it seems to be in a nearly complete, or fully complete stage. This could be something quite awesome!
This video was thought lost until last week when the Bell Labs engineer and inventor Hal Alles uploaded the clip to YouTube. The Bell Labs Digital Synthesizer, also known as Alice, is considered the worlds first true digital additive synthesizer.
This video was made as an backup accompaniment to a live demo done on the stage at the Palladium in Hollywood in 1977.
Built in the 1970s Alice used 72 computer controlled oscillators to instantly create the different timbres and sounds. This synth gave the user the opportunity to store banks of preset patches and autonomous accompaniment, which at the time was unheard of.
The demise of Alice is quite a sad story, after only four years the the synthesizer was dismantled as it was far too expensive too be commercially viable. In it’s short life it only had one full composition written on it…
Watch Laurie Speigal play it below to hear more of this unique synth!