This is the first in a series of high quality drum loops I’m creating for you to use for free. This is a collection of rock/pop mid tempo drum loops that is compatible with all major DAWs and is in 16bit 44100khz sample rate. Download the full pack here
These loops are 100% royalty free and were recorded myself. Each drum was miked individually, and professionally mastered with minimal processing to allow for maximum usage in a wide variety of projects.
I must confess I didn’t know who Brian Tyler was until seeing this video, but I am super impressed and inspired by this guy. Not only is he engineering nearly all of this music he’s composing, he’s quite a skilled multi-instrumentalist (which is obvious by watching the video).
The fact that he’s composing for Avengers, then remixing the music as he’s making it for his DJ set is pretty hilarious too!
I started playing the drums when I was 10 years old. Over the years many different drummers have influenced my playing but one in particular that I saw play in the early 90s basically changed the way I thought about playing the drums, and the instrument as a whole. That drummer was Damon Che of the band Don Caballero.
I grew up in Morgantown WV, and quite often my friends and I would head up to nearby Pittsburg PA to see touring bands that weren’t making it to Morgantown. This time we were heading up to see the band Tar. Tar were an awesome band and we were all very excited to see them. There were two opening bands, and one of them was this band I’d never heard of at the time called Don Caballero.
I barely remember them setting up, but I do remember some tall lanky dude standing outside behind the glass doors of the venue before they got started in a long black trench coat, drinking water out of a gallon jug and smoking a cigarette. That dude was the drummer of Don Cab, Damon Che.
Don Cab came out and their first song was like a sudden explosion of a sonic fireball that basically leveled the audience. You could feel everyone in the room staring at the stage like they were witnessing something like planets colliding. At the center of all this, and the one directing the collision was the drummer. He was seated behind a cheap black Pearl Export series drum set, with huge toms setup nearly perfectly flat and gigantic shiny B8 Pro cymbals set up very high and tilted.
I was close to the front of the stage, and watching him play, but couldn’t really believe my eyes. His motions were completely alien looking, and the way his drums were setup looked amazingly uncomfortable. But the sounds I was hearing were unlike any drumming I had previously encountered. It was busy, really busy, but with a very deep pocket feel and incredible power. Every couple seconds I was hearing a new beat I hadn’t heard anyone else play before. It was complex, bombastic, intense and incredibly tight.
At this moment I knew the drumming world had just received an upgrade and I felt incredibly inspired to get even better at drums and my love for the instrument grew even stronger than it already was.
So let’s take a closer look at Damon Che and see what exactly made him such an awesome force behind the drums.
The MIDI Manufacturers Association (MMA) and the Association of Music Electronics Industry (AMEI) announce MIDI 2.0TM Prototyping
Los Angeles, CA, January 18, 2019 – The MIDI Manufacturers Association (MMA) and AMEI (the Japanese MIDI association) have finalized the core features and name for the next generation MIDI protocol: MIDI 2.0. Member companies are currently working together to develop prototypes based on a jointly developed, feature-complete, draft specification. A members-only plugfest to test compatibility between some early MIDI 2.0 prototypes is planned for Winter NAMM 2019. Participating companies include Ableton/Cycling ’74, Art+Logic, Bome Software, Google, imitone, Native Instruments, Roland, ROLI, Steinberg, TouchKeys, and Yamaha.
As with MIDI 1.0, AMEI and the MMA are working closely together and sharing code to streamline the prototype development process. Prototyping is planned to continue during 2019 as the associations work together on MIDI 2.0 launch plans, including exploring the development of a MIDI 2.0 logo and self-certification program for MMA and AMEI member companies.
During the prototyping phase, the proposed MIDI 2.0 specification is available only to MMA and AMEI members, because the prototyping process may trigger minor enhancements to the specification. Once a final specification is adopted, it will join the current MIDI specifications as a free download on www.midi.org.
The MIDI 2.0 initiative updates MIDI with auto-configuration, new DAW/web integrations, extended resolution, increased expressiveness, and tighter timing — all while maintaining a high priority on backward compatibility. This major update of MIDI paves the way for a new generation of advanced interconnected MIDI devices, while still preserving interoperability with the millions of existing MIDI 1.0 devices. One of the core goals of the MIDI 2.0 initiative is to also enhance the MIDI 1.0 feature set whenever possible.
Get one here https://amzn.to/2RgtY5C The Behringer UMC404HD is an excellent USB audio interface that is both Linux, Windows and Mac compatible. It has great clean audio inputs and outputs (4/4), hardware midi connections, phantom power, 192k recording capabilities, works in Pro Tools, Mixbus, Audacity, Ableton, Ardour, Jack, Qtractor, Cubase, or just about any other recording software you could imagine. This is a great affordable 4 channel interface and I highly recommend it! #usbinterface #linux #DAW #windows #protools #mixbus #ardour #demonicsweaters